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Jan Adlmann: Latter-Day Fabergé
December 11th –
January 30th
Jan Ernst Adlmann is a Santa Fe resident well-known as a former museum director and curator, lecturer and writer, whose strange and wonderful sculptures have attracted a strong following over the last decade. Adlmann will present both new work and a selection of past favorites on loan from some of his collectors.
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Fay Ku: Double Entendre
November 20th –
January 1st
Ku pairs a sexually-frank wit with uncanny tableaus featuring solitary reveries and mysterious social rituals enacted by an array of id-dominated young adults and children. Her graphite, ink and watercolor drawings are characterized by vital and expressive linework, exquisite detail, and a judicious application of color and pattern. This exhibition coincides with the artist’s invitation to create a limited-edition lithograph at the University of New Mexico’s Tamarind Institute.
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Linda Whitaker: The Floor of the Sky
September 4th –
October 11th
"Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky."
--Willa Cather, Death Came to the Archbishop
Curator David Hundley, an independent design consultant and the exhibit designer for the show "Hearst the Collector" at LACMA, sees Whitaker's works play out in front of him every day in New Mexico. Linda Whitaker's oil pastels were created in 1985-86 and 1990, when the artist was the recipient of two residencies from the Helene Wurlitzer Foundation in Taos. Rendering the shapes and colors in a style reminiscent of early modernists such as Marsden Hartley and Arthur Dove, Whitaker's powerful landscapes remain fresh and vital.
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Redefining the Canvas: Edda Renouf, Ramona Sakiestewa & Marie Watt
July 24th –
August 30th
The three artists in this exhibition each use media and techniques associated with textiles but conceptualize their work in a way that blurs and redefines traditional understandings of the 'canvas.'
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Katherine Lee: The Brazil Series
June 15th –
July 19th
Katherine Lee's paintings transform familiar settings into scenes at once familiar and unnerving. In 2006, the artist spent a semester in Brazil studying art and language. During her time abroad, she produced a series of imagined landscapes using a signature combination of spray paint, transfer paper and oil paint. The resulting images, entitled "Exteriors," depict spaces of suspended action and endless possibility, unmanned but not abandoned.
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Roger Shimomura: Minidoka on My Mind
March 6th –
April 18th
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Portrait and Place: Contemporary Latin American Photography
January 30th –
February 28th
Robert Fantozzi, Flor Garduño, Graciela Iturbide, Rachelle Mozman and René Peña
This exhibition brings together a group of artists from Mexico, Peru, Panama and Cuba whose photographs explore their subjects' connections, both expected and unexpected, to their cultural and geographical context.
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Mind the Gap
November 21st –
January 3rd
"Mind the Gap" is a ubiquitous warning to passengers on the London Underground to watch their step and avoid a potentially calamitous fall between the platform and the train. It represents a simple warning, a reminder to follow the rules and play it safe. But what of those who carelessly - or defiantly - do not mind the gap?
Curator Cyndi Conn, Visual Arts Director of the Center for Contemporary Art in Santa Fe, has selected six artists who dwell in the gap between fact and imagination: Rita Bard, Jennifer Hoag, Fay Ku, Katherine Lee, Kim Russo and Tuscany Wenger. These artists create distinct mythologies of striking, strange creatures, disjointed everyday imagery and stories half-told in rebellious, hallucinatory narratives. By choosing to work in the gap, rather thatn on either side of it, they explore and enlighten the tenuous space between transparency and mystery, humor and tragedy.
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Ronald Davis: All the Presidents' Rooms
October 17th –
November 15th
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Matt Magee: Thought Forms
October 3rd –
November 16th
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Ramona Sakiestewa: Vortex of Color
August 15th –
September 21st
Ramona Sakiestewa’s exquisite tapestries and works on paper have long been celebrated for their seamless synthesis of abstraction with ritual imagery and traditional techniques. Sakiestewa is noted for layering and blending color, giving her weavings a painterly quality.
A central figure in the Native American arts community, Sakiestewa has won numerous
awards, including multiple first-place prizes at the Santa Fe Indian Market. She has also consulted on numerous public design projects, including the National Mall facility of the Smithsonian’s National Museum of the American Indian. The artist’s work is in numerous public collections, including those of the Smithsonian Institution, the Heard Museum, the Denver Art Museum and the New Mexico Museum of Art.
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Ming Fay: Jungle Tango
August 8th –
September 21st
Born in Shanghai but based in New York, Ming Fay creates mythical folk gardens from wire, foam, papier mâché and paint. Evoking a utopian vision of the jungle, the artist explores the contentious and sometimes collaborative relationship between humankind and nature. Fay has described Jungle Tango as “a piece about movements, connections and mysterious shapes and forms.” He draws on extensive research in botany to create colorful, fantastical, mock-organic eco-systems.
Fay has had solo exhibitions at MOCA Shanghai and the Whitney Museum at Philip Morris and has received commissions for numerous public works, including the Delancey/Essex subway station in New York. He is a professor of sculpture at William Paterson University.
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Built: Constructed Objects by Ted Larsen
June 13th –
July 20th
Larsen's evolving exploration of the detritus of consumer culture and minimal sculpture reaches a remarkable culmination in his first solo exhibition at Eight Modern. Larsen transforms salvage material into intimate, evocative forms that he calls constructed objects. Larsen, a longtime resident of Santa Fe, was awarded a grant from The Pollock-Krasner Foundation earlier this year.
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Threads of Memory: Recent Work by Nancy Youdelman
April 11th –
May 18th
Nancy Youdelman has been transforming vintage clothing with found objects - photographs, letters, jewelry, buttons and even plant material - for close to 40 years, ever since her involvement with the CalArts Feminist Art Program and Womanhouse in the 1970s. Youdelman's mixed-media sculptures and reliefs explore the threads that connect memory and objects, interweaving broader themes such as love, death, history and femininity.
Artist Reception: Friday, April 11, 5:30-7:30
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3D/CG Ronald Davis: Three-Dimensional Computer Graphics, 2004-2007
December 16th –
January 31st
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Efren Candelaria: Hardly Smooth
November 12th –
December 11th
This solo exhibition of works by Efren Candelaria features an array of minimalist graphite drawings on wood veneer and paper as well as a multi-media installation. The artist eschews geometric perfection for the inevitable curves and bumps of freehand drawing, and takes inspiration from ideas about numbers, time, space and seriality.
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Once There Was, Once There Wasn't: Fairy Tales Retold
October 14th –
November 6th
With works by a number of artists, including Jim Dine, David Hockney, Peregrine Honig, Fay Ku, Elizabeth "Grandma" Layton, Adela Leibowitz, David Levinthal, Paula Rego, Kiki Smith, and Richard Tuttle the exhibition illuminates and challenges the traditional interpretations of fairy tales. Stories heard in childhood exert a powerful pull on the artists participating in Once There Was, who take on the powerful role of storyteller and the task of mythopoesis, of creating and renewing meaning. Their modern reworkings of old tales draw upon familiar narratives and imagery for their cultural resonance.
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East Meets West: Ramona Sakiestewa & G. Peter Jemison
August 17th –
September 16th
Featuring works by Ramona Sakiestewa and G. Peter Jemison, two of the United States' most celebrated Native American artists, this exhibition specifically confronts issues of cross-cultural communications and interdisciplinary practice.
Artists' Reception on August 17, 5:30 - 7:30 pm
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Carlos Pérez Vidal: Time As Metaphor
August 20th –
August 16th
Carlos Pérez Vidal, founder of the independent art group La Campana, is a central figure of the Cuban Renaissance. Addressing the issues of personal identity, historical memory, and cultural stereotyping, Pérez Vidal communicates his sociopolitical observations in a visual language that surreally compounds parodic, tragic, and uncanny elements. The artist is known for creating confrontational dialogues between diverse iconographies and the specific framework of the Spanish Colonial altar. Drawing upon the cultural diversity of the Americas, "Time as Metaphor" reveals unexpected connections between seemingly disparate religious, political, and art-historical icons.
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Modern Dimensions: Contemporary American Sculpture
June 4th –
August 15th
Eight Modern will celebrate its grand opening with the inaugural exhibit, Modern Dimensions: Contemporary American Sculpture. The exhibition brings together works by seven American sculptors: Walter Dusenbery, Ming Fay, Robert Lobe, Robert Mangold, Celeste Roberge, John Ruppert, and Nancy Youdelman. Each of these highly-acclaimed artists explores diverse facets of contemporary sculpture and integrates conceptual and aesthetic ideas in bold, new terms.
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